Approach
Natural vocal skill, theatrical talent and instinct are prerequisites for the singing profession but, in no way, guarantee a long career. A singer can not only sing, but also develop and change over many, many decades if he/she is professionally proficient in every of aspect of artistic activity and able to work intelligently and independently.
Knowing that no single method or approach works for every voice student, I evaluate each person and create an individualized plan — a toolbox — which contains every element needed for a successful career.
My talent, skills and background are the foundation for voice instruction for beginners and professionals alike. The goal is to have you benefit from my years of training and experience. I am the product of many excellent teachers, coaches, stage directors and conductors. I am still performing after four decades of international opera and concert singing. And, I have taught privately and in master classes for over 30 years.
I have learned to respectfully and creatively “meet students where they are at the moment” and appreciate and nurture their abilities, whether they be natural or learned.
There are many basics skills which each singer must master in order to sing healthily, happily and beautifully, but each person has his or her own learning needs and style.
My process is rigorous, yet joyous. We will work together so that you will be able to think for yourself and work independently.
Instruction
Voice Studio Christina Ascher offers a wide range of courses including:
- Private, individual voice lessons
- Private, individual coaching (specialties include German repertoire and contemporary music)
- Extended vocal techniques
- Improvisation
- Preparation for auditions and/or specific performances
- Complete preparation for entrance examinations to conservatories, colleges, universities
- Seminars/workshops for composers in notation, vocal techniques
- Tools for the Independent Singer seminar/workshop
Efficient, constructive practicing methods Quick, organized ways to study new pieces Foolproof memorizing techniques Great intonation without absolute pitch Being rhythmic without losing the beauty of sound Overcoming stage fright Choosing the right repertoire at the right time Learning “how to learn”
Christina Ascher
